
The elevator is to the city what paper is to reading.
Without the elevator, there would be no verticality, no density, and none of the urban advantages of energy efficiency and economic productivity.
Ask a vertical-transportation-industry professional to recall an episode of an elevator in free fall—the cab plummeting in the shaftway, frayed rope ends trailing in the dark—and he will say that he can think of only one.
That would be the Empire State Building incident of 1945, in which a B-25 bomber pilot made a wrong turn in the fog and crashed into the seventy-ninth floor, snapping the hoist and safety cables of two elevators.
Both of them plunged to the bottom of the shaft.
One of them fell from the seventy-fifth floor with a woman aboard— an elevator operator. (The operator of the other one had stepped out for a cigarette.)
By the time the car crashed into the buffer in the pit (a hydraulic truncheon designed to be a cushion of last resort), a thousand feet of cable had piled up beneath it, serving as a kind of spring.
A pillow of air pressure, as the speeding car compressed the air in the shaft, may have helped ease the impact as well.
Still, the landing was not soft.
The car’s walls buckled, and steel debris tore up through the floor.
It was the woman’s good fortune to be cowering in a corner when the car hit.
She was severely injured but alive.
Nonetheless, elevators are extraordinarily safe - far safer than cars, to say nothing of other forms of vertical transport.
Statistics are elusive but the claim, routinely advanced by elevator professionals, that elevators are ten times as safe as escalators seems to arise from fifteen-year-old numbers showing that, while there are roughly twenty times as many elevators as escalators, there are only a third more elevator accidents.
The Otis Elevator Company, the world’s oldest and biggest elevator manufacturer, claims that its products carry the equivalent of the world’s population every five days.
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Elevatoring
The term “elevatoring” refers to the discipline of designing a building’s elevator system in the most efficient and effective manner: how many, how big, how fast, and so on.
You need to predict how many people will be using the elevators, and how they’ll go about their business.
In elevatoring, the essential variables are time and space.
A well-elevatored building gets you up and down quickly, without giving up too much square footage to elevator banks.
Especially with super-tall towers, the amount of core space that one must devote to elevators, in order to convey so many people so high, can make a building architecturally or economically infeasible.
This limitation served to stunt the height of skyscrapers until, in 1973, the designers of the World Trade Center introduced the idea of sky lobbies. A sky lobby is like a transfer station: an express takes you there, and then you switch to a local.
Elevatoring Metrics
There are two basic elevatoring metrics.
One is handling capacity: your aim is to carry a certain percentage of the building’s population in five minutes. Thirteen per cent is a good target.
The other is the interval, or frequency of service: the average round-trip time of one elevator, divided by the number of elevators.
In an American office building, you want the interval to be below thirty seconds, and the average waiting time to be about sixty per cent of that.
Any longer, and people get upset.
In a residential building or a hotel, the tolerance goes up, but only by ten or twenty seconds.
An over-elevatored building wastes space and deprives a landlord of revenue.
An under-elevatored building suffers on the rental or resale market.
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Elevatoring Market Research
Otis has conducted research to find out whether people might better enjoy their time in elevators if it were more of an experience - if it would somehow help to emphasize that they’re in an elevator, hurtling up and down a shaft.
Otis found, to little surprise, that people would rather be distracted from that fact.
Even elevator music, designed to put passengers at ease, is now so closely associated with elevators that it is no longer widely used.
*** Elevatoring Design
Elevator design is rooted in deception - to disguise not only the bare fact of the box hanging by ropes but also the tethering of tenants to a system over which they have no command.
In most elevators, at least in any built or installed since the early nineties, the door-close button doesn’t work.
It is there mainly to make you think it works. (It does work if, say, a fireman needs to take control. But you need a key, and a fire, to do that.)
Once you know this, it can be illuminating to watch people compulsively press the door-close button.
That the door eventually closes reinforces their belief in the button’s power.
Recently a new style of elevator has emerged – the destination dispatch system.
Destination dispatch assigns passengers to an elevator according to which floors they’re going to, in an attempt to send each car to as few floors as possible.
You enter your floor number at a central control panel in the lobby and are told which elevator to take.
With destination dispatch, the wait in the lobby may be longer, but the trip is shorter. Smart elevators are strange elevators, because there is no control panel in the car; the elevator knows where you are going.
People tend to find it unnerving to ride in an elevator with no buttons.
Helplessness may exacerbate claustrophobia.
The biggest drawback of destination dispatch, besides the anxiety of novelty, is that once you are in an elevator you cannot change your mind.
To amend your floor choice, you must disembark, and start again.
*** The original Otis patent (US Patent 31,128 “Improvement in Hoisting Apparatus”) can be found at www.pat2pdf.org/patents/pat31128.pdf
Extract from The New Yorker “Up and Then Down – The Lives of Elevators” by Nick Paumgarten. April 21st, 2008.

